Borrowed Chords and Parallel Keys
Parallel Keys Parallel keys are the major and minor using the same tonic, for example C major and C minor are parallel keys. Sometimes parallel keys use enharmonic equivalents, to …
Music theory lessons for ABRSM and Trinity candidates
Parallel Keys Parallel keys are the major and minor using the same tonic, for example C major and C minor are parallel keys. Sometimes parallel keys use enharmonic equivalents, to …
Chromatic Chords Diatonic chords are the ones which are built from the scale of the prevailing key. Chromatic chords use one or more notes which do not exist in the …
Extended Dominants (V9, V11, V13) The dominant chord can be extended further than the usual addition of a 7th (V7). By continuing to add the note a third higher each …
One of the most commonly-used chromatic chords in the Classical period (and beyond) is the Neapolitan 6th chord, or “N6”. This is a major chord, built from the flattened supertonic …
Identifying the Era of a Score In your music theory exam you may be asked to identify the era or possible composer of a score you have not seen before. …
The Romantic era in music was (roughly) between the years 1830 to 1900. Some of the most famous composers of this era are: Robert Schumann, Edward Elgar, Frédéric Chopin, Felix …
A passing chord is a decorative chord which does not affect the overall harmonic structure of the music – it is like a passing note[1], but written as a whole …
Note Names in Other Languages The letter names of the notes A-G which we use in English have different names in other languages. You might see these names written in …